Directed by Joel Coen and Ethan Coen • 1984 • United States
Starring John Getz, Frances McDormand, Dan Hedaya
Joel and Ethan Coen's career-long darkly comic road trip through misfit America began with this razor-sharp, hard-boiled neonoir set somewhere in Texas, where a sleazy bar owner releases a torrent of violence with one murderous thought. Actor M. Emmet Walsh looms over the proceedings as a slippery private eye with a yellow suit, a cowboy hat, and no moral compass, and Frances McDormand's cunning debut performance set her on the road to stardom. The tight scripting and inventive style that have marked the Coens' work for decades are all here in their first film, in which cinematographer Barry Sonnenfeld abandons black-and-white chiaroscuro for neon signs and jukebox colors that combine with Carter Burwell's haunting score to lurid and thrilling effect. Blending elements from pulp fiction and low-budget horror flicks, BLOOD SIMPLE reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
Up Next in American Independents
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The Daytrippers
Directed by Greg Mottola • 1996 • United States
Starring Parker Posey, Hope Davis, Liev SchreiberWith its droll humor and bittersweet emotional heft, the feature debut of writer-director Greg Mottola announced the arrival of an unassumingly sharp-witted new talent on the 1990s indie film scene....
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Night on Earth
Directed by Jim Jarmusch • 1991 • France, United Kingdom, Germany, United States, Japan
Starring Gena Rowlands, Winona Ryder, Rosie PerezFive cities. Five taxicabs. A multitude of strangers in the night. Jim Jarmusch assembled an extraordinary international cast of actors (including Gena Rowlan...
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Ghost Dog: The Way of the Samurai
Directed by Jim Jarmusch • 1999 • United States
Starring Forest Whitaker, John Tormey, Cliff GormanJim Jarmusch combined his love for the ice-cool crime dramas of Jean-Pierre Melville and Seijun Suzuki with the philosophical dimensions of samurai mythology for an eccentrically postmodern take o...
