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AN AUTUMN AFTERNOON Commentary
This audio commentary, recorded in 2005, features David Bordwell, author of “Ozu and the Poetics of Cinema.”
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MY BRILLIANT CAREER Commentary
Recorded in 2009, this commentary features director Gillian Armstrong.
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NIGHT OF THE LIVING DEAD Commentary 1
This 1994 commentary features NIGHT OF THE LIVING DEAD cowriter-director-editor George A. Romero, producer-actor Karl Hardman, actor Marilyn Eastman, and cowriter John Russo.
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THE UNKNOWN Commentary
This commentary track, recorded in 2023, features author and Tod Browning biographer David J. Skal.
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WORKING GIRLS Commentary
This audio commentary by director Lizzie Borden, director of photography Judy Irola, and actor Amanda Goodwin was recorded in 2007.
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SHAKE! OTIS AT MONTEREY Commentary 1
The following commentary features music historian Peter Guralnick and was recorded in Boston in the winter of 2002. This commentary is a song-by-song reading of the film.
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Laura Mulvey PEEPING TOM Commentary
In this 1994 commentary, film theorist Laura Mulvey gives her insights on the film’s production history, controversy, and potent psychological obsessions.
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YOJIMBO Commentary
Recorded in 2006, this commentary features noted film historian Stephen Prince, author of “The Warrior’s Camera: The Cinema of Akira Kurosawa.”
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WRONG MOVE Commentary
This audio commentary, recorded in 2002, features director Wim Wenders.
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FARWELL AMOR Commentary
This commentary, recorded in 2022, features director Ekwa Msangi and director of photography Bruce Francis Cole.
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THE MAN WHO FELL TO EARTH Commentary
This commentary by director Nicolas Roeg and actors David Bowie and Buck Henry was recorded in 1992. Roeg was recorded in October and again with Bowie in November; Henry was recorded in October.
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THE DAYTRIPPERS Commentary
This commentary was recorded in June 2019 and features writer-director Greg Mottola, editor Anne McCabe, and producer Steven Soderbergh.
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FLOATING WEEDS Commentary
Recorded exclusively for the Criterion Collection in 2003, this commentary is an appreciation of the film by critic Roger Ebert.
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A STORY OF FLOATING WEEDS Commentary
Recorded in 2003, this commentary features Donald Richie, prominent Japanese-film historian and author of Ozu.
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PICKPOCKET Commentary
Recorded in 2005, this audio commentary features James Quandt, senior programmer at TIFF Cinematheque and editor of “Robert Bresson.”
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YI YI Commentary
This commentary features writer-director Edward Yang and noted Asian-cinema critic Tony Rayns in conversation.
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M Commentary
Recorded in 2004, this commentary features University of California at Berkeley professor Anton Kaes, author of the BFI Film Classics volume on M, and Harvard University professor of German Eric Rentschler, author of “The Ministry of Illusion: Nazi Cinema and Its Afterlife.”
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SMITHEREENS Commentary
This commentary featuring director Susan Seidelman was recorded in 2004.
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BRUTE FORCE Commentary
Record in 2007, this commentary features Alain Silver and James Ursini, coauthors of “The Film Noir Reader” and “The Noir Style.”
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SECRET HONOR Commentary 1
This commentary, featuring director Robert Altman, was recorded in 1992.
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CRAZED FRUIT Commentary
This commentary features Japanese-film scholar Donald Richie. It was recorded in New York in the spring of 2002.
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THE HIT Commentary
This commentary features director Stephen Frears, actors John Hurt and Tim Roth, screenwriter Peter Prince, and editor Mick Audsley.
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SAFETY LAST! Commentary
Recorded in 2005, this audio commentary features film critic Leonard Maltin and Harold Lloyd’s longtime archivist, director Richard Correll.
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THE FRESHMAN Commentary
This 2005 audio commentary features Richard Bann, director and film archivist Richard Correll, and film critic Leonard Maltin.