No director pushed the boundaries of the Czechoslovak New Wave further than Věra Chytilová, an uncompromising individualist whose fiercely antiauthoritarian attitude courses through every frame of her work. Though she remains best known for her feminist touchstone DAISIES—a patriarchy-exploding M...

Dryly deadpan, stylishly minimalist, and effortlessly cool, the films of American indie pioneer Jim Jarmusch are so idiosyncratic that they practically constitute a genre unto themselves. Forging his singular sensibility amid the creative ferment of New York’s downtown scene, Jarmusch emerged as ...

Swedish provocateur Ruben Östlund—who has made waves in recent years with his art-house sensations FORCE MAJEURE and the Palme d’Or–winning THE SQUARE—began his career with these three fearlessly unflinching studies of uneasy social dynamics, codes of masculinity, and the tension between the grou...

New German Cinema renegade Rainer Werner Fassbinder lived fast and made films even faster, directing more than forty features, miniseries, and TV movies before his untimely death at age thirty-seven. With both cutting irony and profound empathy, Fassbinder exposed the moral hypocrisy of German so...

The director of the audacious festival hit LEMON and the critically acclaimed ZOLA, Janicza Bravo cultivates the unsettling, the absurd, and the hilariously warped. This selection of four of her brilliantly outré shorts—including the award-winning dark comedy GREGORY GO BOOM, starring Michael Cer...

Shocking, confrontational, and made with white-hot fury, these radical documentaries—directed by Kazuo Hara and produced by his wife and longtime creative partner, Sachiko Kobayashi—give voice to the outsiders and iconoclasts who wage war with the conformism of modern Japanese society. From a wom...

Regarded as one of Japan’s three most important golden-age filmmakers (alongside Akira Kurosawa and Yasujiro Ozu), Kenji Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Though he’d already directed dozens o...

Key works of the media-making movement that gave centrality to the voices and experiences of African American women during the late 1970s and early ’80s, these revelatory, newly restored shorts by trailblazing filmmaker Fronza Woods are no less impactful today. In KILLING TIME, Woods offers a wry...

The son of the great impressionist painter Pierre-Auguste Renoir, Jean Renoir was also a master of his medium: cinema. After making his mark in the early thirties with two very different films, the anarchic send-up of the bourgeoisie BOUDU SAVED FROM DROWNING and the popular-front Gorky adaptatio...

In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of dir...

There has never been another artist like Ulysses Jenkins. For over fifty years, the Los Angeles–born and –based polymath has produced an expansive and unclassifiable body of work that tackles, in idiosyncratic and often wickedly humorous ways, thorny issues of race, gender, national history, and ...

The foremost pioneer of silhouette animation, German filmmaker Lotte Reiniger brought enchanting storybook worlds to life through her intricate cutouts and groundbreaking use of a proto-multiplane camera that she developed a decade before the technique was made famous by Walt Disney and Ub Iwerks...

Wim Wenders is cinema’s preeminent poet of the open road, soulfully tracing the journeys of wanderers and drifters searching for themselves. Over the course of his incredible five-decade career, Wenders has traversed the landscapes of his native Germany (ALICE IN THE CITIES, KINGS OF THE ROAD), t...

Though he would find himself at the forefront of the radical New German Cinema movement, Volker Schlöndorff got his training in France. Apprenticed to such trailblazers as Alain Resnais, Jean-Pierre Melville, and Louis Malle, he became fascinated by the possibilities of filmmaking as a political ...

“Not to have seen the cinema of Satyajit Ray means existing in the world without seeing the sun or the moon,” observed Akira Kurosawa with regards to the Indian master who would have turned one hundred this May. Influenced by the poetic humanism of Jean Renoir and the Italian neorealist movement,...

His films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a radically idiosyncratic oeuvre, examining American history and mythmaking in westerns, film noirs, and war epics. This selection of the B-movie visionary’s purposefully rough...

One of film’s greatest geniuses both in front of and behind the camera, Charlie Chaplin was, for a time, the most popular entertainer in the world. From his early slapstick shorts, Chaplin pushed the envelope in developing the art of screen comedy, perfecting it in features like THE KID and THE G...

Though her name is now unjustly obscure, Larisa Shepitko was one of the boldest, most renowned filmmakers of the Soviet era. In her tragically short career, the Ukrainian-born auteur left behind only a handful of films—including the psychologically charged feminist character study WINGS and the s...

A selection of films by France’s answer to Noël Coward, with an introduction by filmmaker Olivier Assayas, who is one of the Gallic raconteur’s biggest fans.

One of the boldest cinematic visionaries of the past half century, Chantal Akerman—who would have turned seventy this June—took a profoundly personal, aesthetically radical approach to the form, using it to investigate geography and identity, space and time, sexuality and alienation. Influenced b...

The wry, deadpan seriocomedies of Finland’s most famous director are infused with both a minimalist cool and the wintry, desolate spirit of their frequent setting, Helsinki. Whether surveying the desperate lives of the down-and-out in his bittersweet Proletariat Trilogy (SHADOWS IN PARADISE, ARIE...

Bridging Japan’s cinematic golden age and its freewheeling New Wave, Kon Ichikawa was a prolific transitional figure whose technical finesse and versatility were rooted in the craftsmanship of the classical tradition, but whose pervasive sense of dark-tinged irony gave his work a modern age. Thou...

The films of Bertrand Tavernier are suffused with his love for cinema. In addition to being one of France’s foremost auteurs, Tavernier was also a film critic and historian who drew from his deep knowledge of classic French and American cinema to create his own uniquely absorbing, finely wrought ...

Few filmmakers contemplated such weighty philosophical themes with as much authority as Polish cinema titan Krzysztof Kieślowski. Originally a documentary filmmaker, he turned to narrative with early narrative features like CAMERA BUFF and NO END that remained rooted in social reality—often garne...