A legendary screenwriter, director, critic, and cinephile whose work searches for spiritual salvation in the modern world, Paul Schrader did not in fact see a movie until he was a teenager—a result of his being raised in a strict Calvinist household that forbade filmgoing. In this edition of Adventures in Moviegoing, he sits down with Criterion Channel programmer Aliza Ma to discuss how he came to worship at the altar of cinema—a journey that began with the discovery of the films of Ingmar Bergman and his life-changing association with the critic Pauline Kael. As he explains, each movie he has selected proved a revelation in his understanding of the medium, including masterpieces by Carl Theodor Dreyer (ORDET) and Yasujiro Ozu (AN AUTUMN AFTERNOON) that reflect his interest in what he famously dubbed “transcendental” film style.