FEATURING A NEW INTRODUCTION BY CRITIC IMOGEN SARA SMITH

Moody, shadow-latticed cinematography; exquisitely wrought dialogue; an intoxicating sense of world-weary fatalism: welcome to the world of French cinema in the 1930s and ’40s, when the style known as poetic realism—rooted in working-class social reality yet heightened by a distinctly Gallic lyricism—flourished. In the hands of masters like Jean Renoir (LA BÊTE HUMAINE, THE RULES OF THE GAME), Marcel Carné (PORT OF SHADOWS, CHILDREN OF PARADISE), Julien Duvivier (PÉPÉ LE MOKO, UN CARNET DE BAL), and Jean Grémillon (REMORQUES, LUMIÈRE D’ÉTÉ), the struggle and grit of everyday life was transformed into transcendent art and marginalized antiheroes (often played by the era’s defining leading man, Jean Gabin) took on a romantic air. A key influence on the development of film noir, these masterpieces of atmosphere unfold in a unique world unto themselves—melancholic, dreamy, and beautifully doomed.