This documentary, shot by Sami Frey and edited by Agnès Ravez and Chantal Akerman, was made during the shooting of JEANNE DIELMAN and looks at the on-set relationship between Akerman, Delphine Seyrig, and the crew.

This documentary, shot by Sami Frey and edited by Agnès Ravez and Chantal Akerman, was made during the shooting of JEANNE DIELMAN and looks at the on-set relationship between Akerman, Delphine Seyrig, and the crew.

This interview with director Chantal Akerman was conducted in Paris in April 2009.

The following footage is excerpted from “Chantal Akerman par Chantal Akerman,” a 1997 episode of the French television program “Cinéma, de notre temps.”

This segment from the French television program “Les rendez-vous du dimanche,” hosted by Michel Drucker, features director Chantal Akerman and actor Delphine Seyrig discussing their work together on JEANNE DIELMAN. It originally aired on February 15, 1976.

JEANNE DIELMAN cinematographer Babette Mangolte was a longtime collaborator of Chantal Akerman’s, and also shot her films HÔTEL MONTEREY and LA CHAMBRE. This interview, in which Mangolte discusses JEANNE DIELMAN, was conducted in April 2009.

In this 2007 interview, an off-camera Chantal Akerman interviews her mother about her films. The producers of the interview originally intended to edit out Akerman’s questions but ultimately decided to keep them in to preserve the candor of the mother-daughter rapport.

Directed by Chantal Akerman • 1968 • Belgium

Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, al...