With his extraordinary debut feature, PATHER PANCHALI, Satyajit Ray introduced the world to his poetic, humanist vision and to the indelible story of Apu, the young Bengali boy whose odyssey he would trace over two subsequent films. In this edition of Observations on Film Art, Professor Kristin Thompson considers the film’s title—which translates to “Song of the Little Road”—and the subtle but complex motif of paths and roads that runs through the film. More than just a metaphor for life’s winding journey, Ray uses this visual theme—which includes the film’s famous railroad imagery—to enrich our understanding of Apu, his family members, their relationships to one another, and their unforgettable world.