This commentary features two of the major figures of the New German Cinema: Michael Ballhaus, cinematographer on many Fassbinder films; and Wim Wenders, Fassbinder’s friend and colleague, and the director of KINGS OF THE ROAD (1976), THE AMERICAN FRIEND (1977), and PARIS, TEXAS (1984), among many others. Supplemental text read by Robb Webb and written by Kate Elmore and Issa Clubb.