Yi Yi

Yi Yi

Directed by Edward Yang • 2000 • Taiwan, Japan
Starring Nianzhen Wu, Elaine Jin, Issey Ogata

The extraordinary, internationally embraced YI YI (A ONE AND A TWO . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

Yi Yi
  • Yi Yi

    Directed by Edward Yang • 2000 • Taiwan, Japan
    Starring Nianzhen Wu, Elaine Jin, Issey Ogata

    The extraordinary, internationally embraced YI YI (A ONE AND A TWO . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginnin...

Extras

  • YI YI Commentary

    This commentary features writer-director Edward Yang and noted Asian-cinema critic Tony Rayns in conversation.

  • Spotlight on Edward Yang

    Learn why programmer Dennis Lim considers Edward Yang one of the most important filmmakers of the late twentieth century in this introduction to the Taiwanese New Wave director’s essential body of work. Across a small but potent filmography, Yang charted the complex history of his time—as Taiwan ...

  • Everyday Realities

    EVERYDAY REALITIES: TONY RAYNS ON NEW TAIWAN CINEMA AND EDWARD YANG features the noted Asian-cinema critic discussing the cinematic movement, its key players and characteristics, and the qualities that distinguish Edward Yang and his work from his contemporaries.

  • Reflections In and On YI YI

    One of the first masterworks of the twenty-first century, Edward Yang’s YI YI is an at once epic and intimate portrait of a year in the life of a Taiwanese family. It is also, as Professor Jeff Smith argues in this edition of Observations on Film Art, a valentine to the transcendent possibilities...